All posts by ludshottpc

Best of year 2017

Best PDI of the Year 2016/17

Beginners
First                       Serval Cat by Yvonne Lindup
Second                 That’s a Big One by Sheila Orford
Third                     Follow my Leader by Davida Cole

Intermediate
First                      Where did all the years go? by Andy Mason
Second  =           Hippo by Grant Dawkins
Second =            La Sagrada Familia by Ian Rae
Third                    Lady in Waiting Common Blue by Ruth Green

Advanced
First                        Where’s the coach? by John Price
Second                 The Proposal by John Wichall ARPS DPAGB
Third  =                 Do I know you? by Angus McKay
Third    =               Old Chapel in Arizona by Brian Marjoram LRPS
Third    =               Angie by Brian Thomas
Third    =               Nuthatc h by John Price ARPS

 

Best PDI of the Year 2016/17 Trophy winner –

 Yvonne Lindup won the trophy, a great achievement for a beginner. Unfortunately she wasn’t present so  President Phil Peddy ARPS APAGB presented  her husband Ken with the trophy for the Best PDI of the  Year award for “Serval Cat”.

 

Best PRINT of the Year 2016/17

Beginners
First                      Rush Hour by Andy Mason
Second               Yukon River Rapids by Bob Cole
Third                    Deja Vu by Andy Mayson

 Intermediate
First                     Cutty Sark at Greenwich by Ian Rae
Second =           Sky Points by Ian Rae
Second =           African Darter by Andy Mayson

Advanced
First                     Short Eared Owl by John Wichall ARPS DPAGB
Second               Temptress by Brian Thomas
Third =                Midhurst before the storm by Paul Crook
Thied =               At the rut by John Wichall ARPS DPAGB

 

President Phil Peddy ARPS APAGB presented John Wichall ARPS DPAGB  with the Best Print of the  Year awarded for  “Short eared owl”.

Congratulations to Bob Cole who won the Robbie Morgan Trophy for the most improved beginner of 2016/17.

SPA Fotofest 04 November 2017

The SPA are organising a Fotofest for members of SPA clubs. This will be taking place at Croydon Masonic Hall on Saturday 04 November 2017 and will be an all day event, starting at 10:00 and finishing around 16:30. We have four presenters on the day, each speaking for an hour: Tom Way (wildlife) and Will Cheung (magazine editor) will be presenting before lunch and in the afternoon, we have Gavin Hoey (Photoshop guru) and Steven Le Prevost (creative) giving presentations.

There will be a separate room where several sponsors will be selling products and there will be plenty of time to visit the stands. So far, Fotospeed, Canon and Longridge are confirmed, further sponsor names will follow. The sponsors will also be providing attractive raffle prizes.

Tickets will go on sale for £15 at the beginning of September and from the beginning of October, remaining tickets will be offered at £20 to surrounding federations. Capacity at the Hall is around 200.

So, put the date in your diaries and watch out for further information.

Surrey Photographic Association PDI Competition 13 May 2017

 Congratulations to Godalming Photographic Club – winners of both the Open section {222 points) and Nature section (118 points).

Joint runners-up – Open – Bookham Camera Club & Windlesham & Camberley Camera Club
Joint runners-up – Nature – Bookham Camera Club & Richmond & Twickenham Photographic Society

 Open results

Ludshott Photographic Club did not do well in the Open Section. We were joint 13th with an average of only 9.65, which suggests quite a number of low scores. The images are judged out of 15.

Nature results

We came joint 3rd in the Nature section with an average of just over 11 out of 15, a very good result.

Congratulations to Kathleen Bird LRPS CPAGB for winning a judge’s medal. This was awarded by judge  Chris Palmer FRPS DPAGB APAGB EFIAP for “Lucilia Species”, a picture of a green fly taken at Wisley RHS gardens.

PAGB Awards for Photographic Merit

The APM awards held 22/23 April at Croydon produced a good result for SPA.  I don’t know how many SPA club-members applied for an award, but I would guess considerably more that usual as SPA were hosting this year’s assessments.

The results for SPA club-members are in latest PAGB news, with some photos, but I’ve summarised the results of SPA entries as follows:

Distinction Prints (DPAGB) – total entry from all federations 33, awards 19 and SPA awards 2,
Ann Healey Richmond & Twickenham PS SPA
David Lyon Reigate PS SPA

Credit PDIs (CPAGB) – total entry from all federations 26, awards 16 and SPA award 3,
Niall Ferguson Windlesham & Camberley CC SPA
Mark Rolfe Godalming PC SPA
David Smith Woking PS SPA
Credit Prints (CPAGB) – total entry from all federations 57, awards 41 and SPA award 12,
Marie-Ange Bouchard Tandridge PS SPA
Clare Collins Kingston CC SPA
Emma Durnford Richmond & Twickenham PS SPA
Duncan Herring Richmond & Twickenham PS SPA
Peter Highton Richmond & Twickenham PS SPA
Dr Tim Lawson Old Coulsdon CC SPA
Deborah Loth Hampstead PS SPA
Lynda Morris Old Coulsdon CC SPA
Jane Nevin Capel CC SPA
Kathryn Phillips Windlesham & Camberley CC SPA
Christopher Taylor Richmond & Twickenham PS SPA
Graeme Wales Cheam CC SPA

John

Charlie Waite Lecture

Message from Margaret Gatter, Richmond and Twickenham Photographic Society –

Charlie Waite, firmly established as one of the world’s leading landscape photographers, will be giving a talk entitled “Silent Exchange” in September. I would be grateful if you would bring this event to the attention of your members and, if possible, include it in your programme for next year.

Date:    Saturday, 16th September

Time:    7.30 p.m.

Venue:  Imber Court, Ember Lane, East Molesey, Surrey. KT8 0BT

Tickets: £10  from m.gatter856@btinternet.com

020 8399 8485  or text to 0774 717 3394

I am partially deaf, so if anyone leaves a message on my answer ‘phone, please speak clearly, especially when leaving a contact number!

The talk is in aid of the Speer Road Church building fund.

For those who do not know about Charlie, here is a brief introduction.

Charlie was an actor before he became a photographer and his talks are entertaining as well as being illustrated with fantastic images, so please encourage your “other halves” to come along too.

He has had solo exhibitions in America, Japan, Australia and, of course, in London. He has written more than 30 books.

Charlie and Sue Bishop founded the company “Light and Land” in 1996. Many workshop tours, worldwide, have taken place since then. One of his leaders is Joe Cornish. At the RPS Travel Group Day in April, Joe gave praise and thanks to Charlie who encouraged him in his early days as a landscape photographer.

Charlie founded the competition “Landscape Photographer of the Year” in 2007 with a prize of £10,000. This is for images of the U.K. This has now been extended to the U.S.A.

For more information go to his website!

Thank you.

Margaret Gatter

Richmond and Twickenham Photographic Society

Alex Hare’s seminar

“Landscapes – Creation to Completion” 
by Alex Hare

Saturday, 25th March 2017

Alex has a profound understanding of what it takes to create stunning landscapes, and he shared his knowledge and enthusiasm with us in a fascinating talk.

In the morning  he talked about the various aspects of outdoor photography and landscapes, covering technique, composition and lighting, including illustrations which give a sense of scale from a single viewpoint.

The afternoon session can be summed up as “Post Production”. There was a discussion on software choices and their various merits, between 8 and 16 bit images, the merits of RAW files and other technical issues.

Thank you Alex for an interesting and informative day, I am sure everyone went home better informed and inspired.

Close up and Macro by David Bird

There is a technical difference between Close-Up and Macro Photography but for practical purposes the techniques are similar.  Close-Up very commonly involves a single exposure usually (but not always) employing a stopped down lens to accommodate the required depth of field.  Indeed it is sometimes desirable to limit the depth of field for emphasis.  True Macro, on the other hand, limits the available depth of field considerably.  Stopping down and the use of a small sensor camera go some way to alleviate the problem but full control of depth of field requires a number of differentially focused images which are then combined to produce a single image.  This technique allows a much enhanced depth of field which is totally under the control of the photographer.  While this note contains points relevant to single exposure photography the emphasis is upon stacking.

Do s and Don’t s

Use a Tripod – The stacking software has a job to do aligning all the images before it can stack them.  Don’t make its job harder.

Set Camera and Lens to manual focus

Arrange background – although you will be using a limited depth of field it is still best to use either a plain background or a pre-planned out-of-focus background.  I have an A3 print of some foliage that I photographed deliberately out of focus.

Plan your light  – Even if you have plentiful daylight, small details may well be difficult to resolve either because they are shaded or they are exposed to direct light where relief is lost.  A light source from the side will help to detail relief.  But beware of reflections from your background, again a light source from the side works best.  If you are using natural light, beware days with a strong wind and cumulus cloud – your light will vary to an amazing degree.

White balance – You may well be using multiple light sources.  If you have a white background it will turn grey if your white balance is wrong.

Use RAW and batch process your images in the RAW converter of your choice.  Make the stacking software’s job as easy as possible.

Focusing – Opinions are divided on the subject of focusing rails.  Adrian Davies recommends them but Zerene has an opposite opinion.  It might be significant that Adrian had not heard of focus peaking.  I have tried both a rail and manual focus adjustments using focus peaking.  I find the latter very much easier and effective.  If your camera will focus peak – use it.

Focusing again –  It might not be significant but if your end results are disappointing remember that the optical viewfinder and the live view screen use technically different methods.  The optical viewfinder uses ‘Phase Detection’ the live view ‘Contrast Detection’.  They can, and sometimes do, have different focus points.  My best results have been with the live view and focus peaking.

Aperture – Your depth of field will be minimal anyway so use the aperture at which your lens performs best.

ISO –  Modern cameras are increasingly tolerant of high ISO.  Don’t be tempted.  Use the lowest ISO that your camera has available.  Stacking software will stack digital noise as well!  I have processed a stack that produced a horribly grainy resulting image.  I blamed the stacking software and then Lightroom before discovering that I had inadvertently left the camera set to ISO 1600.  Ordinarily my camera will produce an image at ISO 1600 which exhibits neither visible luminance nor chrominance.  But a sequence of such images ruined the stack.

Take your time – You won’t be taking snaps.  I recon on an hour per stack.

Range of focus – Start at either the front or back ensuring that your first and last exposure bracket the full range of desired sharp focus.  Ensure that the images that you present to the stacking software are all in focusing order.  If there is an image out of order the software will produce a composite image that you won’t want to use!  The easiest mistake to make (I still do it regularly) is to forget that, whether you use a rail or manually re-focus, the actual area covered will vary slightly from frame to frame.  Make sure that everything that you want in the final image is covered in each frame; the stacking software will produce a stacked image that is a common sub-set of the sequence of frames.  In other words, you will only get that which is in each and every frame.

Be prepared to take a lot of exposures – I take at least 9 exposures per stack, usually a lot more and I have used up to sixty.  If you are photographing true Macro and not just close-up you may need hundreds of exposures.

Shutter release – Don’t use manual shutter release; you will spoil the shot with camera shake.  If you have a remote shutter release; use it.  If you haven’t a remote then use the self timer although this will add to the session time.  Before I bought my remote shutter release I was using the self timer; at the end of the photoshoot I calculated that I had spent three quarters of an hour waiting for the camera!

Stacking software –  If you are braver than me you can use Photoshop to stack; I haven’t tried it.  If you are serious about this genre of photography you will end up using either Helicon or Zerene Stacker.  There is, still available on the internet, free software produced by David Hadley.  I used to use this but had problems with later versions and as far as I know, Hadley stopped updating his program in about 2010.  I use Zerene, I have not tried Helicon and I have heard (though cannot verify) that Zerene are enjoying an increasing market share.  I won’t go into detailed use of the software here but am happy to help anyone who is interested in following this subject further.

Finally –  Although stacking pre-supposes a static subject.  Make sure that it is static.  I have photographed sequences of flowers where my subjects slowly wilted.  The sequence was more suitable for time lapse than stacking.  Make sure that your subjects stay still; secure them in position if necessary.  Try to maintain privacy; people moving, opening doors or currents of air can ruin your set.  BANISH THE CAT!

David Bird 14/07/2016

Club Dinner 2017

33 members attended the club dinner on 13 March, a very pleasant evening with good food and good company. We went to the Royal Exchange at Lindford, who provided us with a separate dining area and excellent service.

We might be a photographic club but no one brought a camera to this event! The photographs below are thanks to Jeff who took them on his iphone.